Jacob Gentry explores the noir genre with a peppering of retro and true crime with lead Harry Shum Jr.
Michelle Pfeiffer is the Highlight of “French Exit”
Nobody does luxury quite like Michelle Pfeiffer. And in Azazel Jacobs’ adaptation of Patrick deWitt’s novel French Exit, Pfeiffer fully embodies the soul of a rich Manhattan socialite in the twilight of her life. While there’s really very little to love about Pfeiffer’s acerbic Francis Price, the audience, like everyone […]
SXSW 2021: Mei Makino and Emma Galbraith are Perfect Duo for “Inbetween Girl”
Coming-of-age, growing pains, bildungsroman… We love it all.
Sundance 2021: “Rebel Hearts” Nuns Inspire Knocking Down The Patriarchy
Pedro Kos finds distribution for his Immaculate Heart documentary.
“Godzilla vs. Kong” is Good, Simple Fun
You get what you came for and what you came for was a ridiculous fight between Godzilla and King Kong.
Sundance 2021: “Strawberry Mansion” Is Dreamy, Absurdist, and Original
Ever wonder what would happen if your dreams could be recorded and taxed?
Standout Performance from Anthony Hopkins in “The Father”
Hopkins blows us away in the new Florian Zeller film about an aging man battling dementia.
Sundance 2021: “We’re All Going To The World’s Fair” Explores Horror and Identity
Jane Schoenbrun reveals their debut film for Sundance 2021 about a young girl caught in an online RPG.
“Boogie” Struggles To Find Identity
Eddie Huang’s directorial debut suffers from a poor script, uneven acting, and a lack of originality.
Sundance 2021: “Misha and the Wolves” is a Missed Opportunity
Director Sam Hobkinson presents his documentary, but what starts as an interesting premise feels ultimately like a missed opportunity.
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